
Socialite, philanthropist, international southerner, mischief maker and self-described shit-starter, Kenya (Robinson) investigates gender, consumerism, and ability through unexpected performative actions and sculptural gestures.
In his monologue, Rushkoff proposes that people use non-fungible tokens to critique the art market. “The current NFT market in some ways is anti-art in that it’s simply reinforcing capitalism.”
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Ep. 179 Socialite, philanthropist, international southerner, mischief maker and self-described shit-starter, Kenya (Robinson) investigates gender, consumerism, and ability through unexpected performative actions and sculptural gestures.
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